Who
Rules America? You Already Know That The News And
Entertainment Media Are Biased
09 April 2010
By Al-Ikhwah Al-Mujahidun
THERE IS NO GREATER
POWER in the world today than that wielded by the
manipulators of public opinion in America. No king or
pope of old, no conquering general or high priest ever
disposed of a power even remotely approaching that of
the few dozen men who control America's mass media of
news and entertainment.
Their power is not distant and impersonal; it reaches
into every home in America, and it works its will
during nearly every waking hour. It is the power that
shapes and molds the mind of virtually every citizen,
young or old, rich or poor, simple or sophisticated.
The mass media form for us our image of the world and
then tell us what to think about that image.
Essentially everything we know—or think we know—about
events outside our own neighborhood or circle of
acquaintances comes to us via our daily newspaper, our
weekly news magazine, our radio, or our television.
It is not just the heavy-handed suppression of certain
news stories from our newspapers or the blatant
propagandizing of history-distorting TV "docudramas"
that characterizes the opinion-manipulating techniques
of the media masters. They exercise both subtlety and
thoroughness in their management of the news and the
entertainment that they present to us.
For example, the way in which the news is covered:
which items are emphasized and which are played down;
the reporter's choice of words, tone of voice, and
facial expressions; the wording of headlines; the
choice of illustrations—all of these things
subliminally and yet profoundly affect the way in
which we interpret what we see or hear.
On top of this, of course, the columnists and editors
remove any remaining doubt from our minds as to just
what we are to think about it all. Employing carefully
developed psychological techniques, they guide our
thought and opinion so that we can be in tune with the
"in" crowd, the "beautiful people," the "smart money."
They let us know exactly what our attitudes should be
toward various types of people and behavior by placing
those people or that behavior in the context of a TV
drama or situation comedy and having the other TV
characters react in the Politically Correct way.
Molding
American Minds
For example, a
racially mixed couple will be respected, liked, and
socially sought after by other characters, as will a
"take charge" Black scholar or businessman, or a
sensitive and talented homosexual, or a poor but
honest and hardworking illegal alien from Mexico. On
the other hand, a White racist—that is, any racially
conscious White person who looks askance at
miscegenation or at the rapidly darkening racial
situation in America—is portrayed, at best, as a
despicable bigot who is reviled by the other
characters, or, at worst, as a dangerous psychopath
who is fascinated by firearms and is a menace to all
law-abiding citizens. The White racist "gun nut," in
fact, has become a familiar stereotype on TV shows.
The average American, of whose daily life TV-watching
takes such an unhealthy portion, distinguishes between
these fictional situations and reality only with
difficulty, if at all. He responds to the televised
actions, statements, and attitudes of TV actors much
as he does to his own peers in real life. For all too
many Americans the real world has been replaced by the
false reality of the TV environment, and it is to this
false reality that his urge to conform responds. Thus,
when a TV scriptwriter expresses approval of some
ideas and actions through the TV characters for whom
he is writing, and disapproval of others, he exerts a
powerful pressure on millions of viewers toward
conformity with his own views.
And as it is with TV entertainment, so it is also with
the news, whether televised or printed. The insidious
thing about this form of thought control is that even
when we realize that entertainment or news is biased,
the media masters still are able to manipulate most of
us. This is because they not only slant what they
present, but also they establish tacit boundaries and
ground rules for the permissible spectrum of opinion.
As an example, consider the media treatment of Middle
East news. Some editors or commentators are slavishly
pro-Israel in their every utterance, while others seem
nearly neutral. No one, however, dares suggest that
the U.S. government is backing the wrong side in the
Arab-Jewish conflict, or that 9-11 was a result of
that support. Nor does anyone dare suggest that it
served Jewish interests, rather than American
interests, to send U.S. forces to cripple Iraq,
Israel's principal rival in the Middle East. Thus, a
spectrum of permissible opinion, from pro-Israel to
nearly neutral, is established.
Another example is the media treatment of racial
issues in the United States. Some commentators seem
almost dispassionate in reporting news of racial
strife, while others are emotionally partisan—with the
partisanship always on the non-White side. All of the
media spokesmen without exception, however, take the
position that "multiculturalism" and racial mixing are
here to stay and that they are good things.
Because there are differences in degree, however, most
Americans fail to realize that they are being
manipulated. Even the citizen who complains about
"managed news" falls into the trap of thinking that
because he is presented with an apparent spectrum of
opinion he can escape the thought controllers'
influence by believing the editor or commentator of
his choice. It's a "heads I win, tails you lose"
situation. Every point on the permissible spectrum of
public opinion is acceptable to the media masters—and
no impermissible fact or viewpoint is allowed any
exposure at all, if they can prevent it.
The control of the opinion-molding media is nearly
monolithic. All of the controlled media—television,
radio, newspapers, magazines, books, motion
pictures—speak with a single voice, each reinforcing
the other. Despite the appearance of variety, there is
no real dissent, no alternative source of facts or
ideas accessible to the great mass of people that
might allow them to form opinions at odds with those
of the media masters. They are presented with a single
view of the world—a world in which every voice
proclaims the equality of the races, the inerrant
nature of the Jewish "Holocaust" tale, the wickedness
of attempting to halt the flood of non-White aliens
pouring across our borders, the danger of permitting
citizens to keep and bear arms, the moral equivalence
of all sexual orientations, and the desirability of a
"pluralistic," cosmopolitan society rather than a
homogeneous, White one. It is a view of the world
designed by the media masters to suit their own
ends—and the pressure to conform to that view is
overwhelming. People adapt their opinions to it, vote
in accord with it, and shape their lives to fit it.
And who are these all-powerful masters of the media?
As we shall see, to a very large extent they are Jews.
It isn't simply a matter of the media being controlled
by profit-hungry capitalists, some of whom happen to
be Jews. If that were the case, the ethnicity of the
media masters would reflect, at least approximately,
the ratio of rich Gentiles to rich Jews. Despite a few
prominent exceptions, the preponderance of Jews in the
media is so overwhelming that we are obliged to assume
that it is due to more than mere happenstance.
Electronic
News & Entertainment Media
Continuing government
deregulation of the telecommunications industry has
resulted, not in the touted increase of competition,
but rather in an accelerating wave of corporate
mergers and acquisitions that have produced a handful
of multi-billion-dollar media conglomerates. The
largest of these conglomerates are rapidly growing
even bigger by consuming their competition, almost
tripling in size during the 1990s. Whenever you watch
television, whether from a local broadcasting station
or via cable or a satellite dish; whenever you see a
feature film in a theater or at home; whenever you
listen to the radio or to recorded music; whenever you
read a newspaper, book, or magazine—it is very likely
that the information or entertainment you receive was
produced and/or distributed by one of these megamedia
companies:
Time Warner
The largest media
conglomerate today is Time Warner (briefly called
AOL-Time Warner; the AOL was dropped from the name
when accounting practices at the AOL division were
questioned by government investigators), which reached
its current form when America Online bought Time
Warner for $160 billion in 2000. The combined company
had revenue of $39.5 billion in 2003. The merger
brought together Steve Case, a Gentile, as chairman of
AOL-Time Warner, and Gerald Levin, a Jew, as the CEO.
Warner, founded by the Jewish Warner brothers in the
early part of the last century, rapidly became part of
the Jewish power base in Hollywood, a fact so
well-known that it is openly admitted by Jewish
authors, as is the fact that each new media
acquisition becomes dominated by Jews in turn:
Speaking of the initial merger of Time, Inc. with
Warner, Jewish writer Michael Wolff said in New
York magazine in 2001 "since Time Inc.'s merger
with Warner ten years ago, one of the interesting
transitions is that it has become a Jewish company."
("From AOL to W," New York magazine, January
29, 2001)
The third most powerful man at AOL-Time Warner, at
least on paper, was Vice Chairman Ted Turner, a White
Gentile. Turner had traded his Turner Broadcasting
System, which included CNN, to Time Warner in 1996 for
a large block of Time Warner shares. By April 2001
Levin had effectively fired Ted Turner, eliminating
him from any real power. However, Turner remained a
very large and outspoken shareholder and member of the
board of directors.
Levin overplayed his hand, and in a May 2002 showdown,
he was fired by the company's board. For Ted Turner,
who had lost $7 billion of his $9 billion due to
Levin's mismanagement, it was small solace. Turner
remains an outsider with no control over the inner
workings of the company. Also under pressure, Steve
Case resigned effective in May 2003. The board
replaced both Levin and Case with a Black, Richard
Parsons. Behind Parsons the Jewish influence and power
remains dominant.
AOL is the largest Internet service provider in the
world, with 34 million U.S. subscribers. It is now
being used as an online platform for the Jewish
content from Time Warner. Jodi Kahn and Meg Siesfeld,
both Jews, lead the Time Inc. Interactive team under
executive editor Ned Desmond, a White Gentile. All
three report to Time Inc. editor-in-chief Norman
Pearlstine, a Jew. Their job is to transfer Time
Warner's content to target specific segments of
America Online's audience, especially women, children,
and teens.
Time Warner was already the second largest of the
international media leviathans when it merged with
AOL. Time Warner's subsidiary HBO (26 million
subscribers) is the nation's largest pay-TV cable
network. HBO's "competitor" Cinemax is another of Time
Warner's many cable ventures.
Until the purchase in May 1998 of PolyGram by Jewish
billionaire Edgar Bronfman, Jr., Warner Music was
America's largest record company, with 50 labels.
Warner Music was an early promoter of "gangsta rap."
Through its involvement with Interscope Records (prior
to Interscope's acquisition by another Jewish-owned
media firm), it helped to popularize a genre whose
graphic lyrics explicitly urge Blacks to commit acts
of violence against Whites. Bronfman purchased Warner
Music in 2004, keeping it solidly in Jewish hands.
In addition to cable and music, Time Warner is heavily
involved in the production of feature films (Warner
Brothers Studio, Castle Rock Entertainment, and New
Line Cinema). Time Warner's publishing division is
managed by its editor-in-chief, Norman Pearlstine, a
Jew. He controls 50 magazines including Time,
Life, Sports Illustrated, and People.
Book publishing ventures include Time-Life Books,
Book-of-the-Month Club, Little Brown, and many others.
Time Warner also owns Shoutcast and Winamp, the very
tools that most independent Internet radio
broadcasters rely on, and, as a dominant player in the
Recording Industry Association of America (RIAA), was
essentially "negotiating" with itself when Internet
radio music royalty rules were set that strongly
favored large content providers and forced many small
broadcasters into silence. (The Register, "AOL
Time Warner takes grip of net radio," 8th April 2003)
Ted Turner's Lesson: "Be very
careful with whom you merge."
When Ted Turner, the Gentile media maverick, made a
bid to buy CBS in 1985, there was panic in the media
boardrooms across the country. Turner had made a
fortune in advertising and then built a successful
cable-TV news network, CNN, with over 70 million
subscribers.
Although Turner had never taken a stand contrary to
Jewish interests, he was regarded by William Paley and
the other Jews at CBS as uncontrollable: a loose
cannon who might at some time in the future turn
against them. Furthermore, Jewish newsman Daniel
Schorr, who had worked for Turner, publicly charged
that his former boss held a personal dislike for Jews.
To block Turner's bid, CBS executives invited
billionaire Jewish theater, hotel, insurance, and
cigarette magnate Laurence Tisch to launch a
"friendly" takeover of CBS. From 1986 to 1995 Tisch
was the chairman and CEO of CBS, removing any threat
of non-Jewish influence there. Subsequent efforts by
Ted Turner to acquire CBS were obstructed by Gerald
Levin's Time Warner, which owned nearly 20 percent of
CBS stock and had veto power over major deals. But
when his fellow Jew Sumner Redstone offered to buy CBS
for $34.8 billion in 1999, Levin had no objections.
Thus, despite being an innovator and garnering
headlines, Turner never commanded the "connections"
necessary for being a media master. He finally decided
if you can't lick 'em, join 'em, and he sold out to
Levin's Time Warner. Ted Turner summed it up:
"I've had an incredible
life for the most part. I made a lot of smart moves,
and I made a lot of money. Then something happened,
and I merged with Time Warner, which looked like the
right thing to do at the time. And it was good for
shareholders.
"But then I lost control. I thought I would have
enough moral authority to have all the influence in
the new company. If you go into business, be very
careful with whom you merge.
"I thought I was buying Time Warner, but they were
buying me. We had kind of a difference in viewpoint.
Then they merged with AOL, and that was a complete
disaster, at least so far. I have lost 85 percent of
my wealth."
Disney
The second-largest media
conglomerate today, with 2003 revenues of $27.1
billion, is the Walt Disney Company. Its leading
personality and CEO, Michael Eisner, is a Jew.
The Disney empire, headed by a man described by one
media analyst as a "control freak," includes several
television production companies (Walt Disney
Television, Touchstone Television, Buena Vista
Television) and cable networks with more than 100
million subscribers altogether. As for feature films,
the Walt Disney Motion Pictures Group includes Walt
Disney Pictures, Touchstone Pictures, Hollywood
Pictures, and Caravan Pictures. Disney also owns
Miramax Films, run by the Jewish Weinstein brothers,
Bob and Harvey, who have produced such ultra-raunchy
movies as The Crying Game, Priest, and
Kids.
When the Disney Company was run by the Gentile Disney
family prior to its takeover by Eisner in 1984, it
epitomized wholesome family entertainment. While it
still holds the rights to Snow White, the
company under Eisner has expanded into the production
of a great deal of so-called "adult" material.
In August 1995, Eisner acquired Capital Cities/ABC,
Inc., which owns the ABC television network, which in
turn owns ten TV stations outright in such big markets
as New York, Chicago, Philadelphia, Los Angeles, San
Francisco, and Houston. In addition, in the United
States ABC has 225 affiliated TV stations, over 2,900
affiliated radio stations and produces over 7,200
radio programs. ABC owns 54 radio stations and
operates 57 radio stations, many in major cities such
as New York, Washington, and Los Angeles. Radio
Disney, part of ABC Radio Networks, provides
programming targeting children.
Sports network ESPN, an ABC cable subsidiary, is
headed by President and CEO George W. Bodenheimer, who
is a Jew. The corporation also controls the Disney
Channel, Toon Disney, A&E, Lifetime Television,
SOAPnet and the History Channel, with between 86 and
88 million subscribers each. The ABC Family television
network has 84 million subscribers and, in addition to
broadcasting entertainment (some of it quite raunchy
for a "family" channel), is also the network outlet
for Christian Zionist TV evangelist Pat Robertson.
Although primarily a telecommunications company,
ABC/Disney earns over $1 billion in publishing, owning
Walt Disney Company Book Publishing, Hyperion Books,
and Miramax Books. It also owns six daily newspapers
and publishes over 20 magazines. Disney Publishing
Worldwide publishes books and magazines in 55
languages in 74 countries, reaching more than 100
million readers each month
On the Internet, Disney runs Buena Vista Internet
Group, ABC Internet Group, ABC.com, ABCNEWS.com,
Oscar.com, Mr. Showbiz, Disney Online, Disney's Daily
Blast, Disney.com, Family.com, ESPN Internet Group,
ESPN.sportzone.com, Soccernet.com, NFL.com, NBA.com,
Infoseek (partial ownership), and Disney Interactive.
Viacom. Number three on the list, with 2003
revenues of just over $26.5 billion, is Viacom, Inc.,
headed by Sumner Redstone (born Murray Rothstein), a
Jew. Melvin A. Karmazin, another Jew, was number two
at Viacom until June 2004, holding the positions of
president and chief operating officer. Karmazin
remains a large Viacom shareholder. Replacing Karmazin
as co-presidents and co-COOs are a Jew, Leslie Moonves,
and Tom Freston, a possible Jew. (We have been unable
to confirm Freston's Jewish ancestry; he has done work
for Jewish organizations and was involved in the
garment trade, a heavily Jewish industry, importing
clothing from the Third World to the U.S. in the
1970s.)
Viacom produces and distributes TV programs for the
three largest networks, owns 39 television stations
outright with another 200 affiliates in its
wholly-owned CBS Television Network, owns 185 radio
stations in its Infinity radio group, and has over
1,500 affiliated stations through its CBS Radio
Network. It produces feature films through Paramount
Pictures, headed by Jewess Sherry Lansing (born Sherry
Lee Heimann), who is planning to retire at the end of
2005.
Viacom was formed in 1971 as a way to dodge an
anti-monopoly FCC ruling that required CBS to spin off
a part of its cable TV operations and syndicated
programming business. This move by the government
unfortunately did nothing to reduce the mostly Jewish
collaborative monopoly that remains the major problem
with the industry. In 1999, after CBS had again
augmented itself by buying King World Productions (a
leading TV program syndicator), Viacom acquired its
progenitor company, CBS, in a double mockery of the
spirit of the 1971 ruling.
Redstone acquired CBS following the December 1999
stockholders' votes at CBS and Viacom. CBS Television
has long been headed by the previously mentioned
Leslie Moonves; the other Viacom co-president, Tom
Freston, headed wholly-owned MTV.
Viacom also owns the Country Music Television and The
Nashville Network cable channels and is the largest
outdoor advertising (billboards, etc.) entity in the
U.S. Viacom's publishing division includes Simon &
Schuster, Scribner, The Free Press, Fireside, and
Archway Paperbacks. It distributes videos through its
over 8,000 Blockbuster stores. It is also involved in
satellite broadcasting, theme parks, and video games.
Viacom's chief claim to fame, however, is as the
world's largest provider of cable programming through
its Showtime, MTV, Nickelodeon, Black Entertainment
Television, and other networks. Since 1989 MTV and
Nickelodeon have acquired larger and larger shares of
the juvenile television audience. MTV dominates the
television market for viewers between the ages of 12
and 24.
Sumner Redstone owns 76 per cent of the shares of
Viacom. He offers Jackass as a teen role model and
pumps MTV's racially mixed rock and rap videos into
342 million homes in 140 countries and is a dominant
cultural influence on White teenagers around the
world. MTV also makes race-mixing movies like Save
the Last Dance.
Nickelodeon, with over 87 million subscribers, has by
far the largest share of the four-to-11-year-old TV
audience in America and is expanding rapidly into
Europe. Most of its shows do not yet display the
blatant degeneracy that is MTV's trademark, but
Redstone is gradually nudging the fare presented to
his kiddie viewers toward the same poison purveyed by
MTV. Nickelodeon continues a 12-year streak as the top
cable network for children and younger teenagers.
NBC Universal
Another Jewish media
mogul is Edgar Bronfman, Jr. He headed Seagram
Company, Ltd., the liquor giant, until its recent
merger with Vivendi. His father, Edgar Bronfman, Sr.,
is president of the World Jewish Congress.
Seagram owned Universal Studios and later purchased
Interscope Records, the foremost promoter of "gangsta
rap," from Warner. Universal and Interscope now belong
to Vivendi Universal, which merged with NBC in May
2004, with the parent company now called NBC
Universal.
Bronfman became the biggest man in the record business
in May 1998 when he also acquired control of PolyGram,
the European record giant, by paying $10.6 billion to
the Dutch electronics manufacturer Philips.
In June 2000, the Bronfman family traded Seagram to
Vivendi for stock in Vivendi, and Edgar, Jr. became
vice chairman of Vivendi. Vivendi was originally a
French utilities company, and was then led by Gentile
Jean-Marie Messier. A board of directors faction led
by Bronfman forced Messier to resign in July 2002.
Vivendi also acquired bisexual Jew Barry Diller's USA
Networks in 2002. (Diller is the owner of InterActive
Corporation, which owns Expedia, Ticketmaster, The
Home Shopping Network, Lending Tree, Hotels.com,
CitySearch, Evite, Match.com, and other Internet
businesses.) Vivendi combined the USA Network,
Universal Studios, Universal Television, and theme
parks into Vivendi Universal Entertainment (VUE).
After the Vivendi-NBC merger, Bronfman used his
considerable personal profits to strike out on his
own, and recently purchased Warner Music from
Jewish-dominated Time Warner. The current chairman of
NBC Universal is a Gentile often associated with
Jewish causes, long-time NBC employee Bob Wright. Ron
Meyer, a Jew, is president and chief operating officer
of Universal Studios. Stacey Snider, also Jewish, is
the chairman of Universal Pictures. The president of
NBC Universal Television Group is Jeff Zucker, another
Jew.
With two of the top four media conglomerates in the
hands of Jews (Disney and Viacom), with Jewish
executives running the media operations of NBC
Universal, and with Jews filling a large proportion of
the executive jobs at Time Warner, it is unlikely that
such an overwhelming degree of control came about
without a deliberate, concerted effort on the Jews'
part.
Other media companies:
Rupert Murdoch's News
Corporation owns Fox Television Network, Fox News, the
FX Channel, 20th Century Fox Films, Fox 2000, and
publisher Harper Collins. News Corp. is the fifth
largest megamedia corporation in the nation, with 2003
revenues of approximately $19.2 billion. It is the
only other media company which comes close to the top
four.
Its Fox News Channel has been a key outlet pushing the
Jewish neoconservative agenda that lies behind the
Iraq War and which animates both the administration of
George W. Bush and the "new conservatism" that
embraces aggressive Zionism and multiracialism.
Murdoch is nominally a Gentile, but there is some
uncertainty about his ancestry and he has vigorously
supported Zionism and other Jewish causes throughout
his life. (Historian David Irving has published
information from a claimed high-level media source who
says that Murdoch's mother, Elisabeth Joy Greene, was
Jewish, but we have not been able to confirm this.)
Murdoch's number two executive is Peter Chernin, who
is president and chief operating officer—and a Jew.
Under Chernin, Jews hold key positions in the company:
Gail Berman runs Fox Entertainment Group; Mitchell
Stern heads satellite television division DirecTV;
Jane Friedman is chairman and CEO of Harper Collins;
and Thomas Rothman is chairman of Fox Filmed
Entertainment. News Corporation also owns the New
York Post and TV Guide, and both are
published under Chernin's supervision. The primary
printed neoconservative journal, The Weekly
Standard, is also published by News Corporation
and edited by William Kristol, a leading Jewish neocon
spokesman and "intellectual."
Most of the television and movie production companies
that are not owned by the large media corporations are
also controlled by Jews.
For example, Spyglass, an "independent" film producer
which has made such films as The Sixth Sense,
The Insider, and Shanghai Noon, is
controlled by its Jewish founders Gary Barber and
Roger Birnbaum, who are co-chairmen. Jonathan Glickman
serves as president and Paul Neinstein is executive
vice president. Both men are Jews. Spyglass makes
movies exclusively for DreamWorks SKG.
The best known of the smaller media companies,
DreamWorks SKG, is a strictly kosher affair.
DreamWorks was formed in 1994 amid great media hype by
recording industry mogul David Geffen, former Disney
Pictures chairman Jeffrey Katzenberg, and film
director Steven Spielberg, all three of whom are Jews.
The company produces movies, animated films,
television programs, and recorded music. Considering
the cash and connections that Geffen, Katzenberg, and
Spielberg have, DreamWorks may soon be in the same
league as the big four.
One major studio, Columbia Pictures, is owned by the
Japanese multinational firm Sony. Nevertheless, the
studio's chairman is Jewess Amy Pascal, and its output
fully reflects the Jewish social agenda. Sony's music
division recently merged with European music giant BMG
to form Sony BMG Music Entertainment, now one of the
world's largest music distributors. It is headed by
CEO Andrew Lack, formerly president and CEO of NBC—and
a Jew. Sony's overall American operations are headed
by a Jew named Howard Stringer, formerly of CBS, who
hired Lack.
It is well known that Jews have controlled most of the
production and distribution of films since shortly
after the inception of the movie industry in the early
decades of the 20th century. When Walt Disney died in
1966, the last barrier to the total Jewish domination
of Hollywood was gone, and Jews were able to grab
ownership of the company that Walt built. Since then
they have had everything their way in the movie
industry.
Films produced by seven of the firms mentioned
above—Disney, Warner Brothers, Paramount (Viacom),
Universal (NBC Universal), 20th Century Fox (News
Corp.), DreamWorks, and Columbia (Sony)—accounted for
94% of total box-office receipts for the year 2003.
The big three in television network broadcasting used
to be ABC, CBS, and NBC. With the consolidation of the
media empires, these three are no longer independent
entities. While they were independent, however, each
was controlled by a Jew since its inception: ABC by
Leonard Goldenson; NBC first by David Sarnoff and then
by his son Robert; and CBS first by William Paley and
then by Laurence Tisch. Over several decades these
networks were staffed from top to bottom with Jews,
and the essential Jewishness of network television did
not change when the networks were absorbed by other
Jewish-dominated media corporations. The Jewish
presence in television news remains particularly
strong.
NBC provides a good example of this. The president of
NBC News is Neal Shapiro. Jeff Zucker is NBC Universal
Television Group president. Reporting directly to
Zucker is his close friend Jonathan Wald, formerly an
NBC program producer, now a senior consultant for
CNBC. David M. Zaslav is president of NBC Cable (and
also a director of digital video firm TiVo Inc.). The
president of MSNBC is Rick Kaplan. All of these men
are Jews.
A similar preponderance of Jews exists in the news
divisions of the other networks. Sumner Redstone, Tom
Freston, and Les Moonves control Viacom's CBS. Moonves
demonstrated his power in 2002 by replacing the entire
staff of the new CBS Early Show. He is also a
great-nephew of Zionist leader David Ben-Gurion,
Israel's first prime minister. Al Ortiz (also a Jew)
is executive producer and director of special events
coverage for CBS News. Senior executive producer
Michael Bass and Victor Neufeld (formerly producer of
ABC's 20/20) produce the CBS Early Show;
both are Jews.
At ABC, David Westin, who is a Jew according to
Jeffrey Blankfort of the Middle East Labor Bulletin,
is the president of ABC News. The senior vice
president for news at ABC is Paul Slavin, also a Jew.
Bernard Gershon, a Jew, is senior vice
president/general manager of the ABC News Digital
Media Group, in charge of ABCNEWS.com, ABC News
Productions, and ABC News Video Source.
The Print Media
After television news,
daily newspapers are the most influential information
medium in America. About 58 million of them are sold
(and presumably read) each day. These millions are
divided among some 1,456 different publications. One
might conclude that the sheer number of different
newspapers across America would provide a safeguard
against minority control and distortion. Alas, such is
not the case. There is less independence, less
competition, and much less representation of majority
interests than a casual observer would think.
In 1945, four out of five American newspapers were
independently owned and published by local people with
close ties to their communities. Those days, however,
are gone. Most of the independent newspapers were
bought out or driven out of business by the mid-1970s.
Today most "local" newspapers are owned by a rather
small number of large companies controlled by
executives who live and work hundreds or even
thousands of miles away. Today less than 20 percent of
the country's 1,456 papers are independently owned;
the rest belong to multi-newspaper chains. Only 103 of
the total number have circulations of more than
100,000. Only a handful are large enough to maintain
independent reporting staffs outside their own
communities; the rest must depend on these few for all
of their national and international news.
The Associated Press (AP), which sells content to
newspapers, is currently under the control of its
Jewish vice president and managing editor, Michael
Silverman, who directs the day-to-day news reporting
and supervises the editorial departments. Silverman
had directed the AP's national news as assistant
managing editor, beginning in 1989. Jewess Ann Levin
is AP's national news editor. Silverman and Levin are
under Jonathan Wolman, also a Jew, who was promoted to
senior vice president of AP in November 2002.
In only two per cent of the cities in America is there
more than one daily newspaper, and competition is
frequently nominal even among them, as between morning
and afternoon editions under the same ownership or
under joint operating agreements.
Much of the competition has disappeared through the
monopolistic tactics of the Jewish Newhouse family's
holding company, Advance Publications. Advance
publications buys one of two competing newspapers, and
then starts an advertising war by slashing advertising
rates, which drives both papers to the edge of
bankruptcy. Advance Publications then steps in and
buys the competing newspaper. Often both papers
continue: one as a morning paper and the other as an
evening paper. Eventually, though, one of the papers
is closed—giving the Newhouse brothers the only daily
newspaper in that city. For example, in 2001 the
Newhouses closed the Syracuse Herald-Journal
leaving their other Syracuse newspaper, the
Post-Journal, with a monopoly.
The Newhouse media empire provides an example of more
than the lack of real competition among America's
daily newspapers: it also illustrates the insatiable
appetite Jews have shown for all the organs of opinion
control on which they could fasten their grip. The
Newhouses own 31 daily newspapers, including several
large and important ones, such as the Cleveland
Plain Dealer, the Newark Star-Ledger, and
the New Orleans Times-Picayune; Newhouse
Broadcasting, consisting of television stations and
cable operations; the Sunday supplement Parade,
with a circulation of more than 35 million copies per
week; some two dozen major magazines, including The
New Yorker, Vogue, Wired, Glamour,
Vanity Fair, Bride's, Gentlemen's
Quarterly, Self, House & Garden, and
all the other magazines of the wholly-owned Conde Nast
group. The staffing of the magazines is, as you might
expect, quite Kosher. Parade can serve as an
example: Its publisher is Randy Siegel, its editor and
senior vice president is Lee Kravitz, its creative
director is Ira Yoffe, its science editor is David H.
Levy, and its health editor is Dr. Isadore Rosenfeld.
This Jewish media empire was founded by the late
Samuel Newhouse, an immigrant from Russia. When he
died in 1979 at the age of 84, he bequeathed media
holdings worth an estimated $1.3 billion to his two
sons, Samuel and Donald. With a number of further
acquisitions, the net worth of Advance Publications
has grown to more than $9 billion today. The gobbling
up of so many newspapers by the Newhouse family was
facilitated by newspapers' revenue structure.
Newspapers, to a large degree, are not supported by
their subscribers but by their advertisers. It is
advertising revenue—not the small change collected
from a newspaper's readers—that largely pays the
editor's salary and yields the owner's profit.
Whenever the large advertisers in a city choose to
favor one newspaper over another with their business,
the favored newspaper will flourish while its
competitor dies. Since the beginning of the last
century, when Jewish mercantile power in America
became a dominant economic force, there has been a
steady rise in the number of American newspapers in
Jewish hands, accompanied by a steady decline in the
number of competing Gentile newspapers—to some extent
a result of selective advertising policies by Jewish
merchants.
Furthermore, even those newspapers still under Gentile
ownership and management are so thoroughly dependent
upon Jewish advertising revenue that their editorial
and news reporting policies are largely constrained by
Jewish likes and dislikes. It holds true in the
newspaper business as elsewhere that he who pays the
piper calls the tune.
Three Jewish
Newspapers
The suppression of
competition and the establishment of local monopolies
on the dissemination of news and opinion have
characterized the rise of Jewish control over
America's newspapers. The resulting ability of the
Jews to use the press as an unopposed instrument of
Jewish policy could hardly be better illustrated than
by the examples of the nation's three most prestigious
and influential newspapers: the New York Times,
the Wall Street Journal, and the Washington
Post. These three, dominating America's financial
and political capitals, are the newspapers that set
the trends and the guidelines for nearly all the
others. They are the ones that decide what is news and
what isn't at the national and international levels.
They originate the news; the others merely copy it.
And all three newspapers are in Jewish hands.
The New York Times, with a 2003 circulation of
1,119,000, is the unofficial social, fashion,
entertainment, political, and cultural guide of the
nation. It tells America's "smart set" which books to
buy and which films to see; which opinions are in
style at the moment; which politicians, educators,
spiritual leaders, artists, and businessmen are the
real comers. And for a few decades in the 19th century
it was a genuinely American newspaper.
The New York Times was founded in 1851 by two
Gentiles, Henry J. Raymond and George Jones. After
their deaths, it was purchased in 1896 from Jones's
estate by a wealthy Jewish publisher, Adolph Ochs. His
great-great-grandson, Arthur Sulzberger, Jr., is the
paper's current publisher and the chairman of the New
York Times Co. Russell T. Lewis, also a Jew, is
president and chief executive officer of The New York
Times Company. Michael Golden, another Jew, is vice
chairman. Martin Nisenholtz, a Jew, runs their massive
Internet operations.
The Sulzberger family also owns, through the New York
Times Co., 33 other newspapers, including the
Boston Globe, purchased in June 1993 for $1.1
billion; eight TV and two radio broadcasting stations;
and more than 40 news-oriented Web operations. It also
publishes the International Herald Tribune, the
most widely distributed English-language daily in the
world. The New York Times News Service transmits news
stories, features, and photographs from the New
York Times by wire to 506 other newspapers, news
agencies, and magazines.
Of similar national importance is the Washington
Post, which, by establishing its "leaks"
throughout government agencies in Washington, has an
inside track on news involving the Federal government.
The Washington Post, like the New York Times,
had a non-Jewish origin. It was established in 1877 by
Stilson Hutchins, purchased from him in 1905 by John
R. McLean, and later inherited by Edward B. McLean. In
June 1933, however, at the height of the Great
Depression, the newspaper was forced into bankruptcy.
It was purchased at a bankruptcy auction by Eugene
Meyer, a Jewish financier and former partner of the
infamous Bernard Baruch, a Jew who was industry czar
in America during the First World War. The
Washington Post was run by Katherine Meyer Graham,
Eugene Meyer's daughter, until her death in 2001. She
was the principal stockholder and board chairman of
the Washington Post Company; and she appointed her
son, Donald Graham, publisher of the paper in 1979.
Donald became Washington Post Company CEO in 1991 and
its board chairman in 1993, and the chain of Jewish
control at the Post remains unbroken. The newspaper
has a daily circulation of 732,000, and its Sunday
edition sells over one million copies.
The Washington Post Company has a number of other
media holdings in newspapers (the Gazette Newspapers,
including 11 military publications); in television (WDIV
in Detroit, KPRC in Houston, WPLG in Miami, WKMG in
Orlando, KSAT in San Antonio, WJXT in Jacksonville);
and in magazines, most notably the nation's number-two
weekly newsmagazine, Newsweek.
The Washington Post Company's various television
ventures reach a total of about 12 million homes, and
its cable TV service, Cable One, has 750,000
subscribers.
The Wall Street Journal sells 1,820,000 copies
each weekday and is owned by Dow Jones & Company,
Inc., a New York corporation that also publishes 33
other newspapers and the weekly financial tabloid
Barron's. The chairman and CEO of Dow Jones is
Peter R. Kann, who is a Jew. Kann also holds the posts
of chairman and publisher of the Wall Street
Journal.
Most of New York's other major newspapers are in no
better hands than the New York Times and the
Wall Street Journal. In January 1993 the New
York Daily News (circulation 729,000) was bought
from the estate of the late Jewish media mogul Robert
Maxwell (born Ludvik Hoch) by Jewish real-estate
developer Mortimer B. Zuckerman. Another Jew, Les
Goodstein, is the president and chief operating
officer of the New York Daily News. And, as
mentioned above, the neocon-slanted New York Post
(circulation 652,000) is owned by News Corporation
under the supervision of Jew Peter Chernin.
News
Magazines
The story is much the
same for other media as it is for television, radio,
films, music, and newspapers. Consider, for example,
newsmagazines. There are only three of any importance
published in the United States: Time,
Newsweek, and U.S. News & World Report.
Time, with a weekly circulation of 4.1 million,
is published by a subsidiary of Time Warner
Communications, the news media conglomerate formed by
the 1989 merger of Time, Inc., with Warner
Communications. The editor-in-chief of Time Warner
Communication is Norman Pearlstine, a Jew.
Newsweek, as mentioned above, is published by
the Washington Post Company, under the Jew Donald
Graham. Its weekly circulation is 3.2 million.
U.S. News & World Report, with a weekly
circulation of 2.0 million, is owned and published by
the aforementioned Mortimer B. Zuckerman, who also has
taken the position of editor-in-chief of the magazine
for himself. Zuckerman also owns New York's tabloid
newspaper, the Daily News, which is the
sixth-largest paper in the nation.
Our
Responsibility
Those are the facts of
media control in America. Anyone willing to spend a
few hours in a large library looking into current
editions of yearbooks on the radio and television
industries and into directories of newspapers and
magazines; into registers of corporations and their
officers, such as those published by Standard and
Poors and by Dun and Bradstreet; and into standard
biographical reference works can verify their
accuracy. They are undeniable. When confronted with
these facts, Jewish spokesmen customarily will use
evasive tactics. "Ted Turner isn't a Jew!" they will
announce triumphantly, as if that settled the issue.
If pressed further they will accuse the confronter of
"anti-Semitism" for even raising the subject. It is
fear of this accusation that keeps many persons who
know the facts silent.
But we must not remain silent on this most important
of issues. The Jewish control of the American mass
media is the single most important fact of life, not
just in America, but in the whole world today. There
is nothing—plague, famine, economic collapse, even
nuclear war—more dangerous to the future of our
people.
Jewish media control determines the foreign policy of
the United States and permits Jewish interests rather
than American interests to decide questions of war and
peace. Without Jewish media control, there would have
been no Persian Gulf war, for example. There would
have been no NATO massacre of Serb civilians. There
would have been no Iraq War, and thousands of lives
would have been saved. There would have been little,
if any, American support for the Zionist state of
Israel, and the hatreds, feuds, and terror of the
Middle East would never have been brought to our
shores.
By permitting the Jews to control our news and
entertainment media we are doing more than merely
giving them a decisive influence on our political
system and virtual control of our government; we also
are giving them control of the minds and souls of our
children, whose attitudes and ideas are shaped more by
Jewish television and Jewish films than by parents,
schools, or any other influence.
The Jew-controlled entertainment media have taken the
lead in persuading a whole generation that
homosexuality is a normal and acceptable way of life;
that there is nothing at all wrong with White women
dating or marrying Black men, or with White men
marrying Asian women; that all races are inherently
equal in ability and character—except that the
character of the White race is suspect because of a
history of oppressing other races; and that any effort
by Whites at racial self-preservation is
reprehensible.
We must oppose the further spreading of this poison
among our people, and we must break the power of those
who are spreading it. It would be intolerable for such
power to be in the hands of any alien minority with
values and interests different from our own. But to
permit the Jews, with their 3,000-year history of
nation-wrecking, from ancient Egypt to Russia, to hold
such power over us is tantamount to race suicide.
Indeed, the fact that so many White Americans today
are so filled with a sense of racial guilt and
self-hatred that they actively seek the death of their
own race is a deliberate consequence of Jewish media
control.
Once we have absorbed and understood the fact of
Jewish media control, it is our inescapable
responsibility to do whatever is necessary to break
that control. We must shrink from nothing in combating
this evil power that has fastened its deadly grip on
our people and is injecting its lethal poison into our
people's minds and souls. If our race fails to destroy
it, it certainly will destroy our race.