Political Gestures: Thai Protesters Not The Only Ones Confusing The Authorities
10 June 2014
By Diana Moukalled
Over the past few days, Thai protesters have added a
symbolic contribution to the world of protests and
collective opposition. A stream of pictures and
reports show men and women from various backgrounds
demonstrating, and raising their three middle fingers
of one hand up in the air.
Thai protesters are using this gesture to declare
their rejection to the recent military coup and the
army's control of the country, and the arbitrary acts
of the military government over the past month. The
protesters have started using this symbol after
borrowing it from the Hunger Games film franchise,
which is based on a series of novels for young
readers.
The protesters are seeking a way to express themselves
following the army's closure of media outlets by the
use of the symbol of the three fingers to show their
discontent and rejection of authoritarianism. One Thai
woman protester recently wrote a tweet which said: "We
took our protest symbol from the film, but our
struggle is real, it is not a fantasy."
The original inspiration for the three-finger gesture
was taken from the symbols of the French revolution:
Liberty, Justice and Fraternity. The adoption of the
gesture from the films has met with a huge popular
response and began to spread widely to the point that
those who used it were threatened with arrest and
detention.
This Thai contribution to the lexicon of protests with
this specific symbolic gesture follows as part of a
wider pattern seen in protests around the world. In
other places, specific gestures like this one have
become an effective symbolic method to represent
collective adoption of a slogan, principle, or the
rejection of something. It has angered authorities who
have pursued those who use such symbols.
Protests are in essence collective, physical actions
in which expressions and signals are used to
strengthen and reinforce the message which protesters
are trying to convey. Despite many symbols being used
in popular protests over the years, the most prominent
symbol remains that which former British Prime
Minister Winston Churchill used during the Second
World War, when he sought to convey the feeling of
victory to the masses, raising his two fingers in a
V-sign, representing the first letter of the word,
"victory."
Since then, this symbol spread widely, and despite the
passing of 73 years and the many other symbols which
appeared, the victory symbol remains the most
prominent, and is rarely absent from any protest.
It was even used by the late Palestinian President
Yasser Arafat, who turned it into a Palestinian
popular symbol. The clinched fist is another symbol
which has been adopted by opposition movements around
the world. It was popularized in Serbia in 2000, when
the late president Slobodan Miloševic was toppled, and
later in protests in Ukraine, Iran and many other
countries, reaching the Arab world with the eruption
of the revolutions in 2011, when the Arab protests saw
many hand and finger symbols used.
But are these symbols enough for genuine political
expression in the streets and squares? It is true that
these methods are designed to represent a greater and
more important message in a specific symbol, but the
this also runs a risk that they will become mere
symbols, something that is used when the space for
expression and protest is restricted, leaving only
symbols behind.
And the Thai protesters are not the only ones
confusing the authorities with their hand gestures.
Diana Moukalled is a prominent and well-respected
TV journalist in the Arab world thanks to her
phenomenal show Bil Ayn Al-Mojarada (By The Naked
Eye), a series of documentaries on controversial areas
and topics which airs on Lebanon's leading local and
satelite channel, Future Television. Diana also is a
veteran war correspondent, having covered both the
wars in Iraq and in Afghanistan, as well as the
Isreali "Grapes of Wrath" massacre in southern
Lebanon. Ms. Moukalled has gained world wide
recognition and was named one of the most influential
women in a special feature that ran in Time Magazine
in 2004.
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